Theoretic/performative action 4
Becoming spice
Cristina Rizzo/Lucia Amara
Ex-Ospedale Sant’Agostino , Modena
22/10/2011
, 
16:30
running time 40'
On the ground. A theoretical.peformative revival
Overground required the dissociation from theatrical space. The performer has been immortalized by the photo out of his most congenial habitat. A délacement that generated the tweak of unknown scenic perimeters, other visions, new landscapes, uncommon spacial configurations. It's like saying about all of what potencially that scene could indicate and could be able to do. Not for telling us that someting is happened, but for talking about its leap and its impetuosity. It's a political and imaginary matter, because a process of seeing, a sight, a tissue of infinite and variable system of space are building around the performer-object.
Overground investigated the intersection areas, the shift and stitch ones between the firmness of the photo and the analysis of the new scene that has been produced by this. Both actions requested different kinds of movements, different writing forms. From the scene to the landscape the shape is rising. the theoretical-perfroming actions hosted in the Luca del Pia's exhibition, in Ex-Ospedale Sant'Agostino, are an acceleration proof. In respect to Overground the time changes.
We can experience the private and public meeting between performing act and theoretical gesture. We can see from the hole from which you can spy, hidden, an intimacy theoretically unreachable (without theory). Sometimes the proof can request other simulations. An impermanence. A disaster writing. The separation. The exotism.
We leave at the same time the stage and the book shape, just to indicate the birth of a new kind of writing in a never-ending sequence. The writing unities that are produced and shown in every action, don't fit defintive concepts, instead they denote a "theory", meaning "inventory". The list is organised by a cahotic and discordant texture.
They are writings that are inconstantly and firmly alligned to the shape. Writings for exhibition, contact and pressing, without sheet, ink or seed dispersion.
A writing, in the end, that is ready for the destruction of the original in the same moment in which is impressed.
Cristina Rizzo/Lucia Amara
Cristina Rizzo
Dancer, performer, choreographer. She lives in Florence. Peak pattern in the choreographic Italian research, she starts her path in New York at the beginning of '90s. In Italy since 1994, she works as an interpreter with different artistic realities among which Teatro Valdoca, MK and Virgilio Sieni Danza company. Co-founder of collective Kinkaleri, she works in the company until 2007, operating between the international contemporary dancing scene and the performing arts. Choreographer hosted in Balletto di Toscana Junior, she creates in 2008 the controversial Sagra della Primavera produced by Reggio Emilia Danza. Nowadays she chooses an independent and experimental track, debuting with the choreographic project Dance N°3, produced by Romaeuropa Festival and creating various project concerning the international attention.
www.cristinarizzo.it
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