Theoretic/performative action 1
ON THE GRADUAL PRODUCTION OF THOUGHTS WHILST SPEAKING
Eleonora Sedioli-Masque/Piersandra Di Matteo
Ex Ospedale S. Agostino, Modena
16/10/2011
, 
17:30
A material shaped by the human activity changes its nature to become rock, wood, landscape. Running away from the project of the original photographing fixation, it receives from the procedure a new effectivness in its happeing as a focus doubled of immediate experiences. The writing spreads them, it sows them in a mot glissant that makes it sound before coming back in the still peace where the enigma vigils over.
running time 40'
On the ground. A theoretical.peformative revival
Overground required the dissociation from theatrical space. The performer has been immortalized by the photo out of his most congenial habitat. A délacement that generated the tweak of unknown scenic perimeters, other visions, new landscapes, uncommon spacial configurations. It's like saying about all of what potencially that scene could indicate and could be able to do. Not for telling us that someting is happened, but for talking about its leap and its impetuosity. It's a political and imaginary matter, because a process of seeing, a sight, a tissue of infinite and variable system of space are building around the performer-object.
Overground investigated the intersection areas, the shift and stitch ones between the firmness of the photo and the analysis of the new scene that has been produced by this. Both actions requested different kinds of movements, different writing forms. From the scene to the landscape the shape is rising. the theoretical-perfroming actions hosted in the Luca del Pia's exhibition, in Ex-Ospedale Sant'Agostino, are an acceleration proof. In respect to Overground the time changes.
We can experience the private and public meeting between performing act and theoretical gesture. We can see from the hole from which you can spy, hidden, an intimacy theoretically unreachable (without theory). Sometimes the proof can request other simulations. An impermanence. A disaster writing. The separation. The exotism.
We leave at the same time the stage and the book shape, just to indicate the birth of a new kind of writing in a never-ending sequence. The writing unities that are produced and shown in every action, don't fit defintive concepts, instead they denote a "theory", meaning "inventory". The list is organised by a cahotic and discordant texture.
They are writings that are inconstantly and firmly alligned to the shape. Writings for exhibition, contact and pressing, without sheet, ink or seed dispersion.
A writing, in the end, that is ready for the destruction of the original in the same moment in which is impressed.
Eleonora Sedioli-Masque/Piersandra Di Matteo
Eleonora Sedioli/Masque teatro
Performer and actress. Very young, she starts her artistic path with Masque theatre, making her debut with the show Eva Futura (1999). Since then she is actress in every production of the company developing a own original path, until becoming the pattern that identifies the group's poetry. A solid athletics brings her to deal with the stage as a fighting dancer. In 2008 she is the soloist in Head VI, show freely inspired by The Logic of Sense, G.Deleuze, first work in which the body is signed by an "anamorphic" score. As an actress from Masque she was a guest in different national and international realities among which we recall Teatro delle Passioni in Modena, Festival di Santarcangelo (1999, 2004, 2009), LTD Performing Arts Festival in Turin, Scènes étrangères in Villenueve d'Ascq, Infant Festival in Novi Sad and Bitef Festival in Belgrade. In 2009 she was invited by Sonia Brunelli as a performer at F.I.S.Co.09, for Wrestling-intuizioni sul mondo in attesa che diventino una costruzione compiuta, ordered by Xing. In the same year La macchina di Kafka was produced, where the pattern becomes "territorial creature" and maker of sound. In Masque's last creation, Just Intonation, an animal physicality is created, indecent and intimate at the same time.
Together with a performer work, a scenographic and organisation interest, dealing with, for Masque, the last ten edition of Festival Crisalide, Premio Extra 2008 and the 2009 and 2010 edition of Festival Mondo.
www.masque.it
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